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 The Ontario Poetry Society's "Sultry Summer Gathering" Aug. 16, 2015 at Mykonos

2/8/2016

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The Sultry Summer Poetry Gathering at London’s beautiful Mykonos Restaurant on Aug. 16th, 2015, was enjoyed by everyone in spite of it being one of the hottest days of the summer in a terrace room with no air conditioning. Twenty hardy poets read to an audience totaling about thirty at the annual gathering of The Ontario Poetry Society (TOPS). 
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The normal London reading series at Mykonos, London Open Mic Poetry Night, regularly turns out substantially larger audiences, but the weather reports had predicted a very hot day, so it was no surprise that many people decided to stay home. The London Branch Manager had tried to obtain folding paper fans for everybody in advance, but none were available anywhere in the city, so free rental and real-estate magazines were supplied in their place and seemed to do the job for most of the audience.

Thirteen TOPS members read: Carmen Falconi, Wayne Ray, Stan Burfield (London Chapter Manager), Fran Figge (TOPS President), Debbie Okun Hill, I. B. (Bunny) Iskov (TOPS founder), Keith Inman, Leona Harris, John Ambury, Nancy Walden, Roy James, Dunlaith O'Heron, and Carmen, a holocaust survivor. Carl Lapp was present but didn't read. 
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Additionally, seven non-members read at the open mic: Martin Hayter, Joan Clayton, Lorna Pominville, Kevin Heslop, John Nyman, Dorothy Mahoney, Laurie Smith.
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Readers drove into London from all over SW Ontario just for this event, from Toronto, Newmarket, Windsor, Sarnia, Thorold and more. 




A Personal Note from Stan Burfield, London TOPS Chapter Manager & organizer of London Open Mic Poetry Night: WOW!!!

From my point of view as co-host (with Bunny Iskov, TOPS founder), the afternoon certainly was a success. In fact it was one of the best experiences I’ve ever had. 

After a long life of serious shyness, this was the first time I have ever been totally calm in a gathering largely of strangers. It was the culmination of five years of self-therapy. Initially, I forced myself out into the community to attend Ron Stewart's great monthly poetry workshop, and when that became easy I tried to read to an audience, and, finally, for lack of a regular reading venue, I created one by organizing London Open Mic Poetry Night. That idea was sparked by a TOPS reading/open mic I attended in Sarnia. Moreso than attending workshops and reading in public, It was the organizing itself that did most of the work of ridding me of shyness. 

So, after three seasons of London Open Mic, here I am actually co-hosting this year’s version of the TOPS event I had attended in Sarnia that got me going on this course in the first place. And, by lovely coincidence, this event happens to be the first one at which I’ve ever been totally calm. It felt so good I had to keep myself from constantly grinning. Everything I said as co-host was warm and relaxed, the polar opposite of my tight fear at the first few events of London Open Mic three years ago. It feels like some huge coin has finally settled down on its opposite face. 

I definitely have Bunny Iskov, and the rest of the executive of TOPS, to thank for this, because I would never have thought of becoming a social organizer (“Are you insane!?!?”) had it not been for TOPS.

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June 6, 2015: Featured Poet John B. Lee

2/8/2016

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John B. Lee & 22 open mic readers toast the end of season 3, and look to the future 

On June 6th, 2015, the last event of London Open Mic Poetry Night’s third season, a lively audience of 53 turned out to hear featured poet John B. Lee and the largest open mic section we’ve ever had: 22 very creative poets.

John Tyndall, in introducing John B. Lee, said Lee is Canada’s best living poet. I have no way of vouching for that but I can truly say that his poetry, and his reading of it, was very inspiring.

As Lee said in our interview with him, “I want to write poetry, to be in the midst of the thrilling impossibility of doing the thing we do when we surrender.” As was evidenced by the poems he read. They were not neat square boxes, measured, sawed and hammered. They were inspirations, hovering in the air around us. But they were also very available, written and delivered in such a way that we could receive them. Kevin Heslop, who read a lot of Lee’s work before interviewing him, not only gained an appreciation of his writing in the process, but said of his reading on the stage, “His lines, compact on the page, opened up when spoken, reminiscent of Dylan Thomas. Mellifluous. You can see Thomas' influence. Or rather hear it.” Our video of Lee’s reading will be up soon.

You can read Lee’s bio, four of his poems, and Heslop’s interview of him

Now, at the end of three seasons, it is becoming obvious that we have something special going on here. Not only is the average attendance at London Open Mic, about fifty, quite large for a poetry event, but it tends to encompass all ages, genres and genders. By comparison, the much larger city of Toronto has many more reading series but each is far more specialized and attended by far fewer people. It would seem then that the main reason for the wide interest in our event is that there is no other such inclusive event in London in which poets and poetry lovers can participate. Well, good, if that’s what it takes to get this kind of magic. It’s just one more reason, if you need one, to love living in a smaller city!

After three seasons, each of which has outperformed the previous one, it would seem that London Open Mic Poetry Night is becoming an institution here. The question is, will it be able to keep itself going indefinitely as an amateur, grassroots, totally voluntary organization. So far, it’s relied mostly on the efforts of one individual, me, at first totally, but increasingly less so as other volunteers joined and began sharing the workload. I’ll be organizing for a maximum of two more seasons, but I’m confident that by the end of season five the group will be able to keep it going without needing one individual to run it.

But indefinitely? Well, I’ve noticed that at every open mic there are people in the audience who have never attended before. If that keeps up, and I see no reason why it shouldn’t, then there will always be enough young, excited newcomers on the scene to replenish the group and keep the open mic going.

We now are (in alphabetical order, of course) Stan Burfield, Joan Clayton, Frank Davey, Shelly Harder, Kevin Heslop, Carl Lapp, and our newest member: videographer Sebastian Rydzewski. And of course my lovely wife Linda.

One more peek into the future: On the last day of January, I became 65, which was a big surprise to me. It was a surprise because in order to not lose any income I was forced to cut back on my hours of work! As odd as that may seem. And I suddenly found myself with the time to pursue an idea I had had some time ago, to try and persuade the city to stamp poems in the fresh cement when they repair sidewalks. St. Paul, Minnesota, is doing this, with huge success. Each year they have a contest to pick the next year’s batch of poems to be installed, and so many people have been writing and submitting their work that the city had to set up a committee of seven judges to go through them all! In other words, poetry could become fashionable again.

Stan Burfield, organizer of London Open Mic Poetry Night

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May 6, 2015: Featured Poet Laurie D. Graham

2/8/2016

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On one of the first truly warm evenings of this very late Spring, poets and poetry lovers gathered at the May 6th, 2015, London Open Mic at Mykonos Restaurant as sunlight and fresh air streamed in the back of the terrace.

The previous day’s Alberta election was still as fresh as prairie air on the minds of many in the audience of thirty, an election in which the Alberta NDP shockingly booted the PCs out of the province in one of the most stunning upsets in Canadian history. By glorious coincidence, the featured poet for the evening was Laurie D Graham, who had just moved to London from Alberta, and who read poems about the province - its land, people and history - from her collection, “Rove”. Graham’s grandparents and great grandparents had homesteaded in Alberta, just as had my (Organizer Stan’s) father, and his parents. In memory of which, I wore my father’s old 1930‘s tweed cap and read at the open mic his (and partly my) poem of homesteading in the dust bowl and of finally escaping to log-cabin country in the north in 1931.

The West wafted strongly through the Mykonos terrace, but so did the essences of many other places and people, as fourteen very diverse open mic poets read their creations to warm applause.



Interview with feature Laurie D Graham, and some of her poems.
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April 1, 2015: Featured Poets Penn Kemp and John Nyman

2/8/2016

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April Fool's Day, with no fools
Penn Kemp and John Nyman do our National Poetry Month event.

Wallace Stevens said all poetry is experimental. Well, we certainly had plenty of experimental poetry, of all kinds, at our April 1st National Poetry Month event. A record audience of 68 turned out to hear features John Nyman and Penn Kemp, along with eleven open mic readers.

John Nyman is known as an experimental poet, who, as he said during the Q&A, recites his lines aloud, over and over, at home, just listening to how they sound. Penn Kemp is actually known as a “sound poet”. She emphasizes the sound of individual syllables and letters to the extent that the words of her poems often take second place, resulting in a very unique experience for the audience.

This was Nyman’s first feature appearance at a major event in London, but Kemp is a very well-known quantity here, as she has read at many events over the years, including during her stint as the city’s only Poet Laureate, from 2010 to 2012. Even so, April 1st held special meaning for her, as it was the day she was honoured with the Sheri D. Wilson Golden Beret Award from the League of Canadian Poets for her influence and impact on spoken word in Canada. Also, she had just received, one week earlier, 2nd prize in the 2015 Poetry London poetry contest, judged by Toronto poet Gregory Bettes. (1st prize went to our own interviewer Kevin Heslop.) See their poems here For her League award, Penn happily accepted a large bouquet of Spring tulips.

The packed audience, which included some women from Penn’s Aquafit class that had just let out, enjoyed not only the poetry, but also the Greek ambience, souvlaki and wine, and the ability to freely socialize before the poetry and during the intermission, thanks to the new musical sound at London Open Mic: voices, instead of the loud, live music of the past.

After the intermission, eleven open mic readers held court, representing eleven different flavours of humanity. It was a great evening.

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March 4, 2015: Featured Poet Patricia Black

2/8/2016

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Featuring Patricia Black & an audience of 56 

If you had looked through a window–Mykonos, March Forth–into the Mediterranean candlelit veranda there, peopled and heated, before you were beckoned in, you’d see someone standing at a microphone and music stand addressing the audience as the waiters and waitresses sleek in black made their moves. 
And if that someone wasn’t Stan Burfield, inducing the evening to scamper forth, or John Tyndall, companionably welcoming the stage’s featured reader, Patricia Black would be reading the evening’s springboard with gravity and levity and a candid sense of heritage. And then it was a matter of gliding. 
The gamut was aloft: from the reliable pitch and moment of two former featured readers, to midwestern dynamos of rhyming doggerel, to a seamstress of Parisian vulnerabilities, to a ruddy take on grey’s fifty shades, to the quivering crystals at the heart of a long lone boulder, to an empty ocean’s vast considered cliffside, to a brazenness towards the mortality question and try, to a character actor of nude raw intonation and elegant dress, to a fresh batch of precocious twenty-somethings the best hair among whom belonged all night to John Nyman, the experimental chemist, April’s feature. 
And afterwards, a palpable sense of linger, a “when’s this place close? Not till eleven?” 
And as they say in Amsterdam amongst comparable intoxicants–“A good time was had by all, and we’ll see you all again in a few weeks.”

                                                                                                                                     --Kevin Heslop, interviewer

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Feb. 4, 2015: Featured Poet Gary Barwin

2/8/2016

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On one of this winter's harshest evenings, an audience of nearly thirty ventured out to Mykonos Restaurant just to listen to poetry! Gary Barwin, Western's Writer-in-Residence was the featured poet. He also led a great discussion during his longer-than-normal Q&A. Barwin was followed by thirteen open mic readers.  Watch the videos of the poets reading.

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Dec. 3, 2014: Featured Poet Debbie Okun Hill

2/8/2016

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The 3rd event of the 3rd season of London Open Mic Poetry Night was a rousing success with 48 in the audience to experience Sarnia's Debbie Okun Hill read her poetry and listen to all 18 open mic readers.

Fran Figge, current president of The Ontario Poets Society (TOPS), introduced Hill, who has long been on the executive of the large Ontario association herself. Hill's reading received huge applause, as did her responses to questions that followed. (You can hear all of it in this video, courtesy of Kenny Khoo.)

Dec. 3rd was an experiment in one sense. We've always had live music at our events, in the half hour before the poetry begins and during the intermission. However, we've had complaints that the music is so loud as to make it difficult for audience members to converse. Since part of the reason for London Open Mic's existence is to provide a space for London's poets to get together and to get to know each other, we decided to try an event with only the restaurant's piped-in music. A poll after the intermission showed that many more appreciated the quietude than wanted the music restored. So from now on that's the way it will be.

Another change: We have normally limited our open mic readers to 15, who finish reading between 9:00 and 9:30. But since we consistently have more than 15 who want to read, and since Mykonos stays open till 11:00, we have decided to change our policy and let everyone who wants to read do so. However, we will make sure they understand that anyone who signs up after the first 15 slots are filled will be reading to a reduced audience of only those who can keep going that late. In other words, it's still best to get there early enough to sign up in the first 15. This time we had 18 readers.

Most of the readings were videotaped! You can hear them on our YouTube channel: 
https://www.youtube.com/user/londonpoetry

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Nov. 5, 2014: Featured Poet Julie Berry

2/8/2016

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A nearly full house of 58 showed up Nov. 5th to listen to the poetry open mic and featured poet Julie Berry. For the second London Open Mic event in a row there were very few empty chairs in the terrace of Mykonos Restaurant. 

The evening opened with the music of the folk/jazz/blues trio called The Aforementioned, consisting of lead singer/composer Noelle Hall with Dean Thompson and Helen Thompson. Susan Downe, our featured poet from one year ago, introduced St. Thomas poet Julie Berry who read from her two collections to rapt attention and laughter from the audience. Her descriptions of school teaching and small town and rural life managed to combine simplicity, mystery and humour with a powerful sense of poetry. Fifteen open mic poets from all ends of every spectrum read late into the evening, punctuated by the sound of forks on plates of Greek food and the sipping of wine. 

Julie Berry interview and poems: http://www.londonpoetryopenmic.com/season-3-interviews-and-poems/october-22nd-2014
Musicians’ bio for The Aforementioned: http://www.londonpoetryopenmic.com/biographies---featured-poets--musicians/the-aforementioned-the-music-for-nov-5ths-open-mic

NEW PHOTOGRAPHIC STYLE

Now that we have a new photographer, Brie Berry, we've decided to use a new style of photographic presentation in our post-event photo galleries. Instead of trying to give them a slick, professional look by the use of extensive cropping and the artificial addition of exposure and colour warmth, etc, we are posting the photos raw, just as they come out of Brie's camera. Consequently, viewers get a much more realistic view of the event. They can step into the photos and walk around. They can more easily imagine actually being there. And, let's face it, London Open Mic is not a mega-corporation marketing some high-end product. It is a local, amateur, all-volunteer community organization paying its way with a donation jar.
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Oct. 1, 2014: Featured Poet Roy McDonald

2/8/2016

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Impressions of the Oct. 1st London Open Mic 
by Stan B.
Before Jef-something Brian Thomas Ormston (Jef) (who is much more humble than his name would lead you to believe) sat on his chair behind the mic and started playing that electric guitar like an orchestra of sound, a million bells, he said to anyone who was listening, “And now for my last piece”, and when that one was done, which was an astonishing rendition of Pachelbel’s Canon, with waves of notes scrambling, piling, sorting themselves out and upward, Jef said, again to anyone and no one, “Do I have time for another?” I thought, “He’s only started his set, what’s he talking about?” But big Bill Paul, London’s Town Crier, who has known Jef for ages, along with most everyone else in the city, leaned over and said, “Jef never knows how much time has gone by. It’s true. He really lives in the moment. You have to keep telling him he has more time.” I listened more carefully from then on, and yes got lost myself in some of those moments. 

The sudden vocals on the next piece were a bit loud for some people, and I was scrambling to turn down the level when I realized it was one of my favourite songs from the Woodstock festival soundtrack, “Freedom”, which big, black, Richie Havens had opened the festival with, but which here was sung, just as deeply, by this scrawny little Jef-something. “Freedom, freedom, freedom, freedom, sometimes I feel like a motherless child, sometimes I feel like a motherless child, a long way from my home." Yeah. At home Linda and I listened to it again on YouTube. “Freedom is scary when you’re young, when you first have it,” Linda said, “but then when you’re older, after having so much reponsibility all your life, you can’t get enough of it.” Yeah that’s for sure. More, please. 

Our new co-host for this season, Joan Clayton, (me being the other co-host), thanked Jef and introduced Bill Paul (who really is London’s official Town Crier, but who goes by the name Laffmaster Bill on Facebook, for anyone who might want him to host an event or provide entertainment, or who might even want to be interviewed on his radio talk show, Straight Talk with Bill Paul, which, after 39 years, is the longest running talk show in Canada, on 106.9FM.)

It’s undeniable that featured poet Roy McDonald holds some fascination for people. He’s a bit of an old leprechaun, and maybe reminds us of Gandolph in Lord of the Rings -- that combined with street person, hippy, but mostly, being old but spry, he’s the embodiment of the mystery of aging. As I watched him do his well-rehearsed thing on the stage, booming out those old poems, which he’s practiced so often busking on the sidewalk in front of Joe Cool’s Fridays and Saturdays, I wondered how all the so-much-more-normal lives in the audience saw him. The other older people, like myself, where and why did we get off the bus? And why did Roy refuse to ever change after he’d returned from Woodstock? Is he the better for it, or are we? And the young poets in the audience -- are they seeing wisdom in him that they somehow haven’t acquired yet? Or just some archaic remnant of an age long lost? I think each one of the 65 of us in the audience tried to imagine being Roy McDonald to some degree, living his very unique life. As we compared our own to his we all became a little wiser. 

By the time Roy was into his Q&A, answering questions about the washrooms at Woodstock, (“you had to wait half an hour or an hour”), about his spirituality, about the influences on his poetry and his life, and about conversations he had had with Allen Ginsberg, Leonard Cohen and so on, there were still stragglers coming in, but they were finding only standing room at the back of the big enclosed terrace of Mykonos Restaurant, while the rest of us sipped our wine and munched on souvlaki and Greek salad. We had never had such a packed house before and my mind couldn’t figure out whether to be happy about it or just more anxious.

The open mic section provided again all the pleasures I’ve come to associate with it: the huge variety of people, all displaying the equally various intimacies of their inner lives sculpted into their word art. There was every age, poetic ability, sex, kind of person, and of personality. And the audience was also a microcosm of humanity. The one thing everyone had in common was the enjoyment of poetry in this room together. At the end of the evening, open mic reader John Nyman, whom we will feature one day, told me how much he enjoys our events and compared them to the readings he attends regularly in Toronto when he’s there. He said he likes the strong feeling of community we have, whereas in Toronto there are so many events to choose from, a number of them every week, that none attract very big numbers, and they tend to be more specialized in one way or another. 

I asked our new Internet Manager, Shelly Harder, for a few words on how the event went for her: "My first night at the Open Mic was all I'd hoped it would be,” she says. “Between the welcoming ambience of Mykonos, the pleasure of chatting with Roy McDonald, Joan's warm hosting, the passionate talent of the open mic readers, and Jef-something's guitar soundtrack, the evening was an exceptional one, and I look forward to many more!"  And the rest of us chime in, “Me too!”

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