
![]() Erik Martinez Richards, a co-founder of London Open Mic Poetry Night and its photographer, seems to be far too busy putting together two manuscripts of poems, writing more, and possibly a novel too, to be bothered with such petty nonsense as sitting down and writing a short little bio for our website. I am left having to resort to any underhanded tactic I can think of, like posting this picture, to get him to take his online life seriously. All I can tell you about him for sure is that his poetry in interesting to say the least, that he has had one book, and maybe more, published in Canada, as is evidenced by this 1985 Ottawa cover, that he has translated books of poetry from Spanish to English, no mean feat, that he has worked for many years as an official translator in Ottawa, and that in his early days he was a major member of the Santiago school of poetry in Chile, a country that takes its poetry SERIOUSLY.
1 Comment
Stan (editor)
1/28/2013 07:51:38 pm
For an overview of the Chilean Literature scene in Ottawa, written by N. Etcheverry, one of the original exiles along with Erik when the American-supported dictatorship so blookily disposed of the world's only elected Communist Party: They gathered in Ottawa. "In Chile, we had been members of a poetry group known as the “Santiago School”. The ideas of this group of young writers stirred up much controversy in the Chilean literary circles of the late 1960s and early 1970s. In a television interview with Antonio Skarmeta – an author who became well known internationally when his novella El cartero de Neruda was used as the basis for the film Il Postino – Erik Martínez, Naín Nómez, Julio Piñones, and I declared our works to be innovative, as opposed to the nearly “obsolete” work of Pablo Neruda. We also mocked the work of Nicanor Parra, another well-known Chilean poet, and disparaged the contemporary Chilean poetry produced largely in the south of Chile, which was characterized by minimalism, simplicity, and directness, in contrast with the multi-voiced prose-poetry that we favoured." They attempted to have a serious influence on Chilean poetry even from Exile in Ottawa. For more on the group's involvement in the Canadian poetry scene, and for Paulette C Turcotte's role , go to http://dialogos.ca/2008/03/chilean-literature-in-ottawa-a-brief-overview/
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